Oren Lavie's music doesn't come right at you through
the front door; its elliptical nature is mysterious and dense and remains
slightly unresolved. His vignettes of life are heartbreaking. his songs
unfold like a collection of short stories in musical poetic form, bringing
to mind songwriters the likes of Leonard Cohen and Jacque Brel.
Recorded in the intimate setting of his apartment, the
album's acoustic arrangements and Oren's dark voice are underscored by
distant chamber strings, suggesting images of wider landscapes unseen behind
closed walls. The Opposite Side of The Sea is a collage of fragile moments,
as much as it is an uncompromising presence of a new distinct voice.
Born in
Tel-Aviv,
Israel, Oren
began his creative journey as a playwright. At the age of 21 he wrote and
directed a play for the Israeli Fringe Theater Festival, which won the
awards for best newcomer writer and director. In 1999 he moved to London on a scholarship to attend the London
Academy of Music and Dramatic Arts. While still at school he wrote a play
which he later directed in an Off West-end theater to critical acclaim. The
production was named by Time-Out London as one of the best 5 shows in London during its run. In
2002, Oren moved to NY where he gradually began to shift his focus from
playwriting to a shorter form of storytelling, the song. Two years later he
relocated to Berlin
and began work on 'The Opposite Side of The Sea'.
The Opposite Side of the Sea was recorded in Oren's Berlin apartment during a period of three years and was
released in Europe, in 2007, to positive
reviews. But it wasn't until it has reached KCRW in California several
months later that things began to happen; the album's repeated airplay
attracted the attention of movie and television music supervisors, and
before long the album track 'Her Morning Elegance' was picked to be featured
in a Chevy Malibu commercial which debuted during the 2008 Grammys.
In January 2008 Oren released the album in the
US on his own
label, Quarter Past Wonderful, named after the album's closing title.